New Art for 2025!
Letter from the Editor
All of the work is for sale. Preorder confirmation will begin shortly. Feel free to email or DM me and I will put your name on a reservation list for the art. I will reach out to folks, in order of message received, to see if you are still interested when the time comes. Cheers! - S
IN WITH THE OLD
A series inspired by a desire to remake the original album art for Hot Water Music. With fresh eyes and intent, I will make amends for my past transgressions and get this shit out of my system before I have to finally grow up.
Kitchen SINC
The following small panel series is weird for weird sake. *Preview content WIP.
No reservations. Available opening night.
Artist Statement
On my Sleeve -
As an artist, I am heavily influenced by the crudeness and honesty of American folk art, old carnival signs, Bill Traylor, Joe Coleman, Wayne White, skate culture, Natas Kaupas, Ed Templeton, Robert Williams, Don Ed Hardy, Melinda Beck, Jordin Isip, Matt Mahurin, Barry McGee, cut and paste punk Art Chantry; 90’s New York City hardcore, modern street art… the list goes on. These are a few of the highlights.
Peak EMO(tions) -
The themes I choose for this nostalgia fueled EPIC trend towards hard life lessons, self-reflection, and the untamed expression of youth.
The art is sarcastic, a bit silly as well as decorative. Don’t call it dark. I’m trying to finish the thought with color and comedy to create something weirdly beautiful and hopefully a tad RAD.
I’m reliving the salad days through a more colorful lens and a newfound pride for the love and craft of making real, one of a kind, physical art. Painting traditionally after such a long time away from the brush, has been educational, invigorating, and daunting. The comfort of remaking classic album art and settling on a theme quickly, allowed me to get stoked and get to work. My impetus for putting this series together is broken into multiple motives; overdue self-crit, greasing the wheels, and a momentary fuck you to technology. This has been such a therapeutic concept and one that has allowed me to ask myself “how would I treat these records now?” Planning this series has enabled me to spend renewed focus on the paint and the brush. My hands are slightly dusty but improve with each panel. Time away from the computer screen and this AI bullshit has been necessary.
Old Habits Die Hard -
The presentation of set dressing is weaker in my old work. In the past I would pay little attention to the elements supporting the hero characters. With this new series I have awakened a love for the entire cast. Every detail of this new work is intentional and the proof is in the rendering. Striking a balance between exposing the underpainting or making spontaneous marks and a desire for more technical polish has been engaging. Mark making was more directed this time around. Intentional rather than all encompassing or hasty. I hate how dirty, and quite frankly lazy, my old work is. Some folks may think I’m talking about elements of my style that they love and consider my fingerprint. Selfish as it may be, I am giving the paintings the attention they always deserved but never received.
All of my old work is brown. I can’t help but see the original covers as colorless “with new eyes open.” It makes me sad because this band and their history is anything but colorless. This is a series built from a color script that intends to push contrast and compliments. I would describe this color palette as a jolly rancher that fell on the ground, slightly sour and dusty. Pop color is a necessary part of the comedy in these tragedies.
Conquering Self Doubt; For me the process of starting a new painting has been very difficult. Sometimes it takes a second to remember how to go and that it is OK to just do something, anything. I have been working on defining a process, one that gives me the opportunity to properly organize a plan of attack, get to work with confidence, and enjoy finding the rhythm again. Pun intended.
Courtesy of an anonymous critic.